The Best Lesson My Dad Taught Me Essay Example for Free

The Best Lesson My Dad Taught Me Essay The best lesson my dad taught me was†¦Ã¢â‚¬ ¦. To always be honest. I’m glad he taught me this because at home if I do something wrong and he knows I’m lying and I tell the truth, I get in less trouble instead of getting things taken away. He tells me the odds are in my favor if I listen. I agree with him because I wouldn’t want my kids to lie to me. You always get in less trouble if you don’t lie. I only lived for about 13 years but every single second I learned more and more. It always ends up embarrassing after telling a lie and someone has found out. We all must admit it, weve ALL lied. Nobody likes a liar. My dad will say are you sure with your answer and if I say no I tell him the truth and he says don’t do it again. If your gonna lie to your friends its just stupid because eventually they will find and you will lose them. Before I ever answer some thing I ask myself, â€Å"is it worth lying about it. † Then I just follow my conscience. I don’t always make the right choice, but I learn from my mistakes. My dad is 40 years old and he told me had made more mistakes in a year than I do in 13. Just tell the truth because if you’re my kid that is the easiet part of life. I love him to death and wouldn’t trade him for the world!

Why Isnt Consciousness Empirically Observable? Emotional Purposes As Basis For Self-Organization :: Logic Philosophy

Why Isn't Consciousness Empirically Observable? Emotional Purposes As Basis For Self-Organization ABSTRACT: Most versions of the knowledge argument say that if a scientist observing my brain does not know what my consciousness 'is like,' then consciousness is not identical with physical brain processes. This unwarrantedly equates 'physical' with 'empirically observable.' However, we can conclude only that consciousness is not identical with anything empirically observable. Still, given the intimate connection between each conscious event (C) and a corresponding empirically observable physiological event (P), what P-C relation could render C empirically unobservable? Some suggest that C is a relation among Ps which is distinguishable because it is multi-realizable; that is, C could have been realized by P2 rather than P1 and still have been the same relation. C might even be a 'self-organizing' process, appropriating and replacing its own material substrata. How can this account explain the empirical unobservability of consciousness? Because the emotions motivating attention direc tion, partly constitutive of phenomenal states, are executed, not undergone, by organisms. Organisms-self-organizing processes actively appropriating their needed physical substrata-feel motivations by generating them. Thus, experiencing someone's consciousness entails executing his or her motivations. That there is something empirically unobservable about phenomenal consciousness follows from a modified knowledge argument. Traditional versions (Jackson 1986; Robinson 1982; Noren 1979) hold that if experiencing were equivalent with physical brain states, then complete empirical knowledge of brain states should constitute knowledge of everything about my experiencing; but complete empirical knowledge of brain states would not constitute knowledge of everything about experiencing (those alone wouldn't reveal 'what it's like' to have that experience); therefore, experiencing is not equivalent with physical brain states. This argument can be criticized for unwarrantedly assuming that everything 'physical' is empirically observable (from an experimenter's standpoint). E.g., Jackson assumes that the 'what it's like' aspect isn't "expressible in physical language" (291), but the reason for granting this assumption is that 'what it's like' is inexpressible in terms of possible empirical ob servations. Without the assumption that everything 'physical' is empirically observable, we can conclude, not that consciousness is non-physical (since there might be 'physical' processes that are observationally inaccessible), but simply that consciousness isn't identical with anything empirically observable. Still, given the intimate connection between each conscious event (C) and a corresponding empirically observable physiological event (P), what P-C relationship could render C empirically unobservable? If identical, they should be equally observable. I.e., if P Â ® EO and C Â ® not-EO, then PÂ ¹C.

Discussing the Front Piece of the Leviathan

Salah Rushdy POLI 357 Discussing the front piece of the leviathan The Latin quote on the book cover translates into â€Å"There is no power on earth to be compared to him†. According to my own interpretation, in this front piece of Thomas Hobbes leviathan, the sea monster is presented as the absolute sovereign. He rules the people that form his being. All the people of that state are looking up to him in the image as to express their submission and acceptance of the social contract to be ruled. In the front piece, the leviathan holds two objects in his hand which are a crosier and a sword. A crosier in Christianity is a symbol of the governing office of the bishop or apostle. Here, one can assume that what Hobbes meant by the leviathan holding a crosier is that the absolute sovereign of the state will be in charge of the spiritual side of the state to prevent any disagreements or religious wars. One has to understand as well that the era by which Thomas Hobbes was living in witnessed a century worth of religious warfare and the book itself was written during the English civil war. So a lot of his philosophy regarding the state of nature and social contract was a solution to the war existed at his era. The sword resembles power by which all has to abide or else will be obligated to face the consequences raised by breaking the social contract which will be perceived as a threat to the stability of the sovereignty as a whole.

Essay on Bram Stokers Dracula - 1698 Words

Bram Stokers Dracula Bram Stokers Dracula is one of the most renowned British novels of all time. It has left its marks on many aspects of literature and film. Many thematic elements are present throughout the story and have been interpreted in many ways. Stoker uses his characters to manifest the themes that he wishes to imply. Three themes that present themselves throughout the book are the theme of Christian Redemption, science and technology, and sexual expression. Christian Redemption is shown in many ways throughout the book. Very early in the book when Jonathon Harker is making his journey to the Counts castle he makes a stop where he is given crucifixes. The people who give them to him tell him how they will†¦show more content†¦The first example of this is when Lucy is finally killed. Stoker uses the terminology releasing the soul when referring to the killing of a vampire. Lucy had been transformed into a bloodsucking, killing monster. However, when she is saved by the force s of good by cutting her head off, stuffing her mouth with garlic, and driving a steak through her heart, her former beauty is restored. Stoker writes, Death had given back park of her beauty, for her brow and cheeks had recovered some of their flowing lines; even the lips had lost their deadly pallor (Stoker, p 169). Even when Dracula is killed, he has a look of tranquility on his face. Mina writes in her journal, I shall be glad as long as I live that even in that moment of final dissolution, there was in the face a look of peace, such as I never could have imagined might have rested there (Stoker, p 398). The Christian rituals and symbols that are used throughout the book represent how the faith will protect you from evil and save you from eternal hell. In the Victorian Era, there was an emergence of the belief that you will receive personal salvation through Christ. In Dracula, characters such as Lucy, Mina, even Dracula, received personal salvation at some point in the n ovel. Sometimes the book can even be propagandistic towards the Christian faith. However, the thematic element of Christian Redemption is still a major part of the novel.Show MoreRelatedBram Stoker’s Dracula1087 Words   |  5 Pagesstarted to emerge. This essay will be about who Dracula enticed women, how his detainer was unsettling and demonic. How the era in which the novel was written plays a part in the ideas of Dracula and how behaves; with such things as women, food, and Harker. The Victorian era definitely influenced the writing of the time through reflections of exploitation of women and a certain darkness in ones self, also explains of mystery and suspense. Abraham (Bram) Stoker was born in Dublin in 1847, the thirdRead MoreAnalysis Of Bram Stokers Dracula2059 Words   |  9 PagesVoluptuous Vampire or Proper Prude Written and set in the late 19th century, Bram Stoker’s epistolary novel Dracula is a pivotal book in gothic/horror literature. Like most novels written by men, Dracula appeals more to the male audience and their fantasies and fears about women than to the Victorian Age woman. In the novel, Lucy and Mina are the only two female characters the reader meets in detail, and they are also the only two characters that are seen becoming vampires – indeed, they are theRead MoreAn Analysis of Bram Stokers Dracula885 Words   |  4 PagesBram Stoker’s Dracula is the story about how the small company of men and a woman lead by Professor Abraham Van Helsing combats against Count Dracula, who moves from Transylvania to England in order to manipulate people as â€Å"foul things of the night like him, without heart or conscience, preying on the bodies and the souls of those [they] love best† (223). Stoker employs an epistolary format in this novel and nowadays, Dracula becomes one of popular literary works representing epistolary novels writtenRead MoreComparison Of Count Dracula In Bram Stokers Dracula And Dracula1449 Words   |  6 PagesDracula is the infamous vampire, that readers were ï ¬ rst introduced to by Irish author Bram Stoker in 1897 when they read his novel Dracula (Stoker). The author conveys the story of Count Dracula, a mysterious being that is half man, half vampire that sucks blood from the neck of his victims to stay alive (Stoker). This novel is an outstanding masterpiece of work, which is why it has been a prototype for various movie releases over the decades, such as Nosferatu, Horror of Dracula, Dracula A LoveRead More Comparison of Dracula and Bram Stokers Dracula Essay1462 Words   |  6 PagesCompare/Contrast Dracula and Bram Stokers Dracula A noticeable difference in the way movies have changed over the years is evident when comparing and contrasting two films of different eras which belong to the same genre and contain the same subject matter. Two vampire movies, Dracula and Bram Stokers Dracula, present an interesting example of this type of study. Comparing the 1931 version of Dracula, starring Bela Lugosi, with Frances Ford Coppolas Bram Stokers Dracula 1993 version yieldsRead More Bram Stoker’s Dracula Essay2356 Words   |  10 PagesBram Stoker’s Dracula Bram Stoker’s Dracula is a classic example of Gothic writing. Gothic writing was very popular in the 18th and 19th centuries. In the early centuries, Gothic writing would frighten the audience and it was also used as a style of architecture. Dracula, which was first published in 1897, would definitely cause a shock as there was a supernatural being, roaming around sucking people’s blood by the neck. Gothic literature usually includes vampires, monsters or some typeRead MoreDracula, Gothic And Epistolary Novels Of Dracula And Bram Stokers Dracula1357 Words   |  6 PagesIn the late 1890s Bram Stoker takes historical information and old European folktales to create famous Gothic novels like Dracula; Before writing Dracula, he studied for eight years stories of vampires. The title of Stoker’s story has historical significance to Vlad Dracul the 3rd, a Wallachian ruler who impaled his victims on stakes. Bram Stoker also was influenced by his lifetime, before the publication of Dracula, Gothic and Epistolary novels were on the rise hence why Dracula is classified asRead MoreEssay on Paternalism in Bram Stokers Dracula920 Words   |  4 PagesPaternalism in Bram Stokers Dracula      Ã‚   Paternalism is the domination of a society by a male or parental figure that leads or governs much like the way a father would direct his family.   In Victorian society, the idea of paternalism was prevalent.   The idea was also frequently used as a motif in western literature.   Bram Stokers novel Dracula, published in 1897, depicts a paternalistic society through a repression of the female sex and a continuous exaltation of the domineering maleRead MorePsychoanalytical Analysis of Bram Stokers Dracula1790 Words   |  8 PagesCarlos Dena Honors English 11 5/20/13 Critical Analysis on Dracula With several illicit subjects listed throughout Bram Stoker’s Dracula, the book becomes a playground for psychoanalysts. Whether it be to see a subjects as simple as the conscious take over a character, or a character’s surroundings corrupting its victims, Dracula intrigues in more ways than just its vampiristic features. The following is a psychoanalytic study with a focus on vampirism imitating sexual practice and drug usage todayRead MoreEssay on A Summary of Bram Stokers Dracula1054 Words   |  5 PagesA Summary of Bram Stokers Dracula Dracula is an epistolary novel, meaning that is composed from letters, journal and diary entries, telegrams, and newspaper clippings. Jonathan Harker, Mina Murray (later Mina Harker), and Dr. Seward write the largest contributions to the novel although the writings of Lucy Westenra and Abraham Van Helsing constitute some key parts of the book. The novel has a slightly journalistic feel, as it is a harrowing account supposedly written by the people who witnessed